Details of Wang Leehom’s Hua Tian Cuo (my Housewife version)

我有空的时候再加中文翻译。

Artistic interpretation is really a reflection of yourself rather than the artist sometimes.  Most people who watched this felt my video was humourous. I didn’t feel that way when I was watching or editing it. Well, not if you’ve done this (as in housework) hundreds of times.

Hua Tian Cuo by Wang Leehom was about the contrast of two worlds, one attracts him more than the other. If you haven’t watched my video above, it is about about me fitting a wannabe musician and a housewife together. Me trying to record the singing and the flute parts in the morning in between chores, and me trying to play the bass guitar and other instruments in the afternoon, fitting them inbetween chores again. One reality is definately more attractive than another. I think I appear as a happy musician, but who smiles when doing household chores right?

But than again, though there are no smiles or laughter when doing chores, I think there is a beauty to household work. A quiet, persevering and sacrificial kind of beauty. Ok whatever. Back to the point – the contrasting of realities.

Here are some minor contrasts I included into the video. I will provide some written description, but the interpretation of these is up to you.

In the video: dangling of keys

Description: Two sets of keys dangling. Pink one on the left are keys to my home in Sg. The one on the right are keys to my home in NYC. Two different worlds, both are me. The order of percussion is Sg → NYC → Sg.

Pair of chopsticks with symbolic indentations of marital bliss

In the video: Cheap Chopstick vs Expensive T & Co Crystal Vase

Description: The chopstick is part of a pair that has symbolic indentations of a dragon, a pheonix, and chinese words of marital bliss inscribed onto it. The flower vase is an expensive Tiffany and Co gift from my sister-in-law for last year’s christmas.

The crystal clear “ding!” sound you hear in the vid is made of one part chopstick of marital bliss, and other part crystal vase that has never held flowers.

Between Videos: Washing Machine Coin Slots vs Opera Percussion

Description: In the interim of the song where the erhu wails a beautiful solo, Wang Leehom’s version is accompanied by traditional chinese percussion. Mine is accompanied by the percussive sounds of slotting coins into the washing machine.

In the video: Right vs Wrong side of the guzheng

 Description: (Top) The right side of the guzheng is the correct and typical area to play music. (Bottom) The wrong side of the guzheng is typically used as a pitch modulator ( it is not usually used for music itself, but occasionally it can be used to ornate neo-classical songs like 《战台风》. ). In my video, I played both the right side and the wrong side (which produces a dull twangy sound) to add a contradictory sound to the music.

I played 223535 (re- re-mi-so-mi-so) on the wrong side, you can hear it more often from 03:15 onwards. The sound clashes with the right side of the guzheng, because the pitch is about a third of a semitone lower.  You don’t have to be an audiophile to be able to tell.

In the video: Poor vs Good eating habits

Description: Above you see me eating lunch (a quick-fix) at the computer table while watching Wang Leehom’s vids. Below you see me scooping nutritious painstakingly prepared food for a family dinner at the dining table.

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People need company no matter what, whether it is the company of family and friends over dinner, or lunching with the company of the internet if you have an lonesome occupation. Not sure if any one can identify with the pictures above, or whether it makes any sense. But then again, it’s art. What you think is more important than what I think.

Love,
Seren

Form my own or join others?

Should I form my own band, or should I join other girl bands that need a Bassist?

Looking through craigslist makes me wonder whether it’s better to just join the other ladies who are trying to form a girl band. Well joining others creates much less work for me and would still give me experience playing in a band. And if the leader(s) of the band already have original songs, I only need to think about writing my own part (the bassline).

On the other hand, if I create my own, I can kindda set the practice location, possible regular timings, and genre of music I want to cover, or the type of music we might write as a band.

Hmm… I’m not sure. In the mean time, let’s enjoy a classic anime-rock piece that will go down in history for a long time. You don’t have to watch anime to really dig this song.

 

Recruiting New Band Members 招新团员

I live in Brooklyn, New York City. I am charmed by K-On! and other Jap Anime Songs.

I would like to start an all-girl band, to play rock tunes while still having a gentle girlie image like they do.

Currently on K-On!!, this Rock-Band-School-Club has 5 girl members. They named their band 放課後ティータイム, Hōkago Tī Taimu (After School Tea Time).

Currently on K-On!!, this Rock-Band-School-Club has 5 girl members. They named their band "HTT", or 放課後ティータイム, Hōkago Tī Taimu (After School Tea Time).

To gather band mates, I will advertise here, on craigslist, facebook, and also go to anime conventions to find like-minded people.

I have never been to an anime convention or cosplayed before, because I was never too crazy about it, even though I LOVE watching anime. But I am really serious about music, and for the sake of that, I shall give it a try.

So for the first time, I will be attending the Cあstle Point Anime Convention  this Sunday April 11th 2010, cosplaying as Mio/Asuza from K-On!! holding up this home-made sign:

Front of home-made sign

Front side of my home-made sign

Back of home-made sign

Back side of my home-made sign

Three unrelated friends with band experience: Isaac, Ruiyi, and Justin have advised me that forming a band, getting regular practice and retaining the right members is not easy, and it is a process that can take a long time. To make matters more difficult, I am looking for female band members in Brooklyn/NYC who are interested in this genre of J-music, and that’s gotta be rare. :-(

As we could see in both Season 1 and Season 2 of K-ON, recruiting members is not easy. Also, members don’t necessarily gel and may leave. We could see in Season 1 that Asuza struggled with the group, wondering if she could clique with them.

The 5 girls from K-ON!! putting in A LOT of effort to recruit members

The 5 girls from K-ON!! putting in A LOT of effort to recruit members

So I am mentally prepared that this would take some time to have a response, and my hopes are to start band practice by Fall. Sigh~ TT^TT

I just have one question though. Shall I keep the band closed to only 5 basic members? Or Shall I keep it Open like Sakura High School’s Light Music Club? ”Closed” means that we shall only have one drummer, one keyboardist, one bassist, and either two guitarists or one guitarist and one vocalist. “Open” meaning that there might more than one drummer/ bassist/ guitarist/ keyboardist/ vocalist in the group, and we’ll have to share and take turns. That can be messy and a logistical nightmare, but it also means we have back-ups if someone is not coming, and more people to share the cost of a practice space.

Multiple members playing K-On Music??

Open Band with Multiple members playing K-On Music??

I was wondering about this because New York City is such a transient place where people don’t stay here for long. I may not stay here for long either. It’s just like Yui, Ritsu, Mio and Tsumugi who would be graduating from Sakura High, and Asuza would be the only one left. They can’t stay in school forever. There are pros and cons, comforts and discomforts to having a closed or open band. Therefore if you are interested in joining my band, you would have to tell me your preference in a survey form. I would like to know what you think.

Ok! That’s it for now. I will follow up this post with another post about what I am looking for in a band, and a survey form for people interested in forming a band with me. ^_^

Akucinta I. I Love.

This is my first bass guitar, an Ibanez SR400. I name him Akucinta 1. I decided from the looks and the sounds of the bass guitar that it should be a “him”. Of course most men refer to their bass guitars as “her”. Even a rifle can be a “her” to male soldiers cradling it. ;-)
Back of Akucinta I

Back of Akucinta I

I bought Akucinta 1 just before traveling to Singapore (I was away for 2 months), so I did not really get acquainted with him.  I just got back from Singapore about 10 days ago.

Head & Tuners of Akucinta I

Head & Tuners of Akucinta I

I found Akucinta 1 for sale on craigslist and bought him from Thomas Hildebrand, who is not a bassist and does not know much about bass guitars. He inherited it from a friend who passed away.  His friend left the bass guitar at his apartment when they were trying to do some recordings. When his friend passed away (I don’t know whether his departure was sudden), his friend’s family told Thomas to keep the bass guitar. Thomas held on to it for sentimental reasons until this year. He was moving from Brooklyn to LA where is girlfriend is, and needed to sell stuff. Thomas thinks that his friend probably had it since the late 90′s. So yeah, Akucinta is an old boy kept away in a box for years.

Entire Back of Akucinta I

Entire Back of Akucinta I

 The deal was US$200 for the black Ibanez SR400 (good condition), a Hard Case (excellent condition) for the bass guitar, a Wah Crybaby pedal (not tested), and a straight 1/4″ instrument cable (fairly good condition).  All in.

Thomas also gave me an acoustic guitar (fair condition) also with a hard case (good condition) for free.

Front of Akucinta I

Front of Akucinta I

I don’t have proper amplifiers, and probably will not be buying one for a while. I discovered that I am able to hook it up to the monitors(speakers) that I already possess. :-) I think it is more important that I bring Akucinta 1 to the Guitar Centre for servicing. So that’s gonna cost me some. I don’t know if he’s ever been serviced since the time he was bought from a store. I got some “inlay stickers” for Akucinta 1, and will probably apply them after he has been serviced. And finally, here’s what he would probably look like:

Akucinta 1, Dressed up.

Akucinta 1, Dressed up.

 Last but not least, let me mention about how Akucinta 1 was named. “Aku Cinta” means “I Love” in informal Malay. I=Aku, Love=Cinta. This phrase was the source for the word “Kucinta”, a nickname given to the Singapura Cat in 1991. Kucinta also sounded like the word “Kucing” which means “Cat” in Malay.

Kucinta a.k.a.Singapura Cat

Kucinta a.k.a.Singapura Cat

Although the “Singapura” Cat is merely a name and not a breed of cat native to Singapore (it was mostly bred in America), I’m glad to name my bass guitar in tribute to Singapore anyway. Akucinta. I Love. My bass guitar. Singapore. New York. My In-law’s Cats too.

Kucinta a.k.a. Singapura Cat

Kucinta a.k.a. Singapura Cat

If I have the chance to own other bass guitars in future (perhaps a 5 string, or even a lefty), I would consider naming them Akucinta II, Akucinta III, … I Love.

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UPDATE: Apr 12, 2010

Here’s what Akucinta I sounds like straight from its 10+ year old box. You can hear that it is not perfectly tuned, and if you look closely with some of the frets, you can see that I have not serviced it at the Guitar Centre yet.

Everything you see on this video was pure play by ear, and my techniques are just guesswork. That’s not how I would want it to be for the long run. I’m gonna find me a good teacher, and build a good foundation in bass playing, just like I built up a good foundation in Guzheng, and am able to play any song I want. I don’t want it to end up like the acoustic guitar. In reality I have no foundation in the acoustic guitar and am not able to play any other song. I am not a real guitarist if I am only able to look professional with one song. I aspire to be able to play songs on the go and improvise like a real bassist someday.